solo shows.
The three consecutive
exhibitions presented on this page mark a gradual transition toward
engaging with the space outside the artwork. What begins as an apparently
conventional study of sculpture—where the act of representation carries
a historic, document-like quality—evolves into an exercise in abstract
(not non-figurative) representation, addressing theoretical realities.
Finally, it culminates in a superfictious analysis of elements that are
not commonly exhibited (in a LeWittian sense). This body of work functions,
more or less, as a personal research journal where theories are developed
and tested through practice.
