solo shows.
The three
consecutive exhibitions presented on this page mark a gradual
transition toward engaging with the space outside
of the
artwork. What begins as an apparently conventional study of sculpture—where the act of representation carries a historic, document-like quality—evolves into an exercise in abstract (not non-figurative) representation, addressing theoretical realities. Finally, it culminates in a superfictious analysis of elements that are not commonly exhibited (in a LeWittian sense). This body of work functions, more or less, as a personal research journal where theories are developed and exercised/exemplified.
